Hallmark genre fundamentals – running, jumping, swimming and throwing projectiles – are accounted for, but they never interact with each other, the levels, or enemies in any novel, imaginative ways. However, while Castle of Illusion ‘s presentation is aces, the gameplay is disappointingly mundane. The sixth world and beyond were the most enjoyable parts to play because the ante was upped, demanding more of your platforming prowess. This isn’t the apex of his work, but it nonetheless is a nice score, with his whimsical style accentuating the game’s tone. Moreover, composer Grant Kirkhope of Banjo-Kazooie fame put the score together. There’s a solid variety of biomes – the first stages exist in a forest interpolated by castle ruins, but you’ll also visit giant libraries, candy lands, dungeons and more in your quest – and the environments’ aesthetics do predictably influence the stage hazards, such as how moving books function as unreliable platforms in the library or how haunted suits of armor attempt to strike Mickey in the dungeon. Importantly, the foregrounds aren’t too busy and are generally disgustable from the backgrounds. While the backdrops aren’t enormously intricate (likely as a consequence of being a smaller-scale downloadable title), the environments are nevertheless detailed. Graphically, the team graciously reimagined the sprites of the Genesis game. Richard McGonagle voices the narrator, the dialects for Mickey and Minnie are respectively provided by Bret Iwan and Russi Taylor, and Nika Futterman stepped in to portray Mizrabel.
(Image: Disney/SEGA)Ĭastle of Illusion ’s events are affixed with commentary the narrator and Mickey both chime in during the stages and cinematics to react to the on-screen happenings, benefiting the cartoon-esque presentation. You may be rewarded for doing so with an extra life or a collectable. As per a genre standard, you can bounce off enemies to reach greater heights.
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